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Daisy Edgar-Jones wore a cream-and-purple corset set from Stella McCartney’s Spring 1999 collection for Chloé at the Los Angeles premiere of Sense and Sensibility. Stylist Dani Michelle said the vintage look had been part of a mood board for the film’s press-tour wardrobe and was sourced by Raffe Vintage.
Daisy Edgar-Jones wore a cream-and-purple corset set from Stella McCartney’s Spring 1999 collection for Chloé to the Los Angeles premiere of Sense and Sensibility. The vintage look, sourced by Raffe Vintage, tied the actor’s red-carpet styling to her character Elinor Dashwood’s lavender wardrobe in the film.
The ensemble paired a cream corset with floral detailing and a sweetheart neckline with a coordinating two-tone skirt in purple hues. A semi-sheer shawl rested over Edgar-Jones’s shoulders, and matching open-toe heels completed the outfit. The report describes the set as a piece from Chloé’s Spring 1999 collection, when McCartney was designing for the fashion house.
Stylist Dani Michelle said the look was central to the styling mood board she made after seeing the film earlier in the year. In a post on Instagram, Michelle credited the vintage specialists at Raffe Vintage with sourcing the outfit. She also said Edgar-Jones had wanted to wear lavender to honor the costumes worn by Elinor in the film.
The Los Angeles event was described by Harper’s Bazaar as the final premiere of the press tour. The report places the outfit within a run of period-inspired looks that Michelle and Edgar-Jones developed around historical references, including corsetry and empire waists, interpreted for contemporary red-carpet dressing.
A Vintage Look Linked to Elinor
The outfit connects two parts of the film’s public presentation: Elinor’s soft lavender wardrobe on screen and the contemporary clothes Edgar-Jones wore while promoting the adaptation. That connection was intentional, according to Michelle, who said the actor wanted the color to acknowledge her character’s costumes. The premiere look therefore worked as more than a vintage fashion choice; it echoed the character without reproducing a period costume.
For readers following red-carpet fashion, the appearance also shows how archival designer clothing can be used to build a story across a press tour. Here, the specific collection, the film’s period setting and the character reference were brought together in a single look. Michelle’s account gives a direct explanation of the styling process, while the garment itself offers a visible example of how a 1999 design was incorporated into a current film campaign.
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The Press Tour’s Period References
Harper’s Bazaar reports that Edgar-Jones and Michelle used the Sense and Sensibility press tour to adapt Georgian-inspired details for modern premiere dressing. The publication points to corsetry, romantic undergarments and empire waists among the historical references in the pair’s styling. Rather than presenting the red-carpet outfits as film costumes, the approach used selected period cues in contemporary fashion.
The Los Angeles appearance followed that broader styling direction and drew on the film’s character details through its color palette. Michelle said she created the mood board after viewing the movie earlier in the year, and identified the 1999 Chloé set as a key reference from the start. The source does not provide a full list of the tour’s outfits or dates, so the account here is limited to the details reported about this premiere and its styling.
“This 1999 Chloé by Stella McCartney was center of our mood board, and it was the magical girls at Raffe Vintage that sourced this look into our lives.”
— Dani Michelle, Edgar-Jones’s stylist, in an Instagram post
Details Beyond the Premiere
The source identifies the set as part of Chloé’s Spring 1999 collection and says Raffe Vintage sourced it, but it does not specify when or where the garment was acquired, whether it was altered for Edgar-Jones, or whether the two pieces were originally sold together. It also does not give the outfit’s price, the designer’s input into this particular styling choice, or further details about the vintage sourcing process.
The account attributes the character and mood-board rationale to Michelle’s Instagram post. It does not provide a separate statement from Edgar-Jones, Chloé, Stella McCartney or Raffe Vintage. No additional information about the film’s release schedule or further promotional events is included in the source.
After the Los Angeles Premiere
The source characterizes the Los Angeles event as the last premiere in Edgar-Jones’s press tour, so it does not point to another red-carpet appearance in this series. The next step for readers seeking more detail would be any further comments from Michelle, the actor or the vintage dealer about the set’s history and sourcing. No such follow-up is confirmed in the report.
For now, the documented development is the premiere appearance and Michelle’s explanation of its connection to Elinor’s lavender costumes. Further claims about the outfit’s rarity, value or place in the full Spring 1999 collection would require additional sourcing.
Key Questions
What did Daisy Edgar-Jones wear to the Los Angeles premiere?
She wore a cream corset with floral detailing and a coordinating two-tone purple skirt from Chloé’s Spring 1999 collection, designed while Stella McCartney was at the house. The look also included a sheer shawl and matching open-toe heels.
Why was the outfit connected to Elinor Dashwood?
Stylist Dani Michelle said Edgar-Jones wanted to wear lavender to honor Elinor’s costumes in Sense and Sensibility. The skirt’s purple tones provided that reference at the premiere.
Who sourced the vintage Chloé set?
Michelle credited Raffe Vintage with sourcing the outfit. The report does not provide further details about when or where the pieces were found.
Was this the final Sense and Sensibility premiere?
Harper’s Bazaar described the Los Angeles event as the final premiere of Edgar-Jones’s press tour. The source does not give a broader schedule of any other promotional appearances.
Source: rss
